All it can take is a little bit of "Hmm, I'm not sure, what do you think?" Then, boom, that five minutes you've just lost means we can't do that stunt, means you've now lost power in that generator, means that helicopter has to go back and refuel, and you've run out of sunlight, and you've lost your job now because you're overscheduled, you're fired, you'll never work again, and you're off to director jail. The Hitman’s Wife’s Bodyguard now on HBO Max after a brief theatrical run in Summer of 2021 is a classic case of a sequel nobody asked for, because big-studio bean. I think as a director you can set the tone on set, and for these kinds of films you've got to come in hot out of the gate and be really clear and really decisive, because there are so many elements in play that there's a lot of management in solved. But also I like to bring a lot of energy to set and that's certainly how I like to work. In some respects also I think it's the Australian attitude, strong-headed, strong-willed, strong bullshit radars. Their different personality types bring a different rhythm to the set, and they've got ideas, and it's incorporating those and managing that whole aspect of it. I think the trick is being able to deal with so many different personality types. My dad was an actor and I grew up in that world. I love working with actors, it's my favorite part of the job.
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